Posts Tagged ‘art education’

Reminder Children’s Born To Draw Saturday Morning Art Classes

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Register for Born to Draw on Saturday Mornings at UNM Continuing Education Art ExhibitionsBlogChildren’s Art EducationChildren’s Classes, January 5, 2013 Registration for the Born to Draw Saturday Morning Classes First Session Begins January 26th Born to Draw Saturday Mornings 2 sessions:  Total length of class time 2 hours including set up and clean upSession 1: January 26 – March 2, 2012 10 am – 12 noonSession 2: March 23            – April 27, 2012 10 am – 12 noon 

Course Proposal and Syllabus: 

Session 1

Born to Draw: A Children’s Drawing Program

The Born to Draw program is designed for children in grades K-6th. The Children’s Spring Workshop will be for children 7-11 years of age. The course is designed to teach observational drawing though shape relationships. The students will learn formal elements of drawing such as mark making, line, shape, placement, angels, textures, value, color, and perspective. Session A runs from January 26 to March 2, 2013

Each class is geared for the child to complete a drawing within the allotted 40-50 minutes or less time frame. The Born to Draw Step-by-Step Drawing program features animals and still life. Children should know basic shapes of the square, triangle, circle and oval. I encourage parents to have their children attend both sessions. Session B runs from March 23 to April 27

The classes will be offered for two 50-minute sessions with a five-minute break and time for set up and clean up included in the class.  Total length of class time is 2 hours.

Drawing and Art Techniques

Depending on the age and the child’s development and skill levels, it is possible to evolve into another session for a continuum of developing drawing skills.  Throughout the class the children will experiment with different media that include watercolor, color pencil,  pen and ink.

Painting by Cezanne Still Life – 1890-94 oil on canvas

Session 2

Drawing Still Life

Drawing from 3D objects increases your children’s knowledge of the effects of light on form, volume and line. Observational drawing teaches one to learn to see. Students will work with still-life setups, start with simple materials and compositions, then move to more complicated media exploring textures and concepts. This is a great class to begin studies in art or to improve drawing skills.

Painting of Giorgio Morandi Modern still life

In this session the students will be introduced to great master artists like Cezanne, Matisse, Morandi, O’Keeffe and Steir.

The second session builds on the first session, however, all beginning drawers are welcome.  Beginners who have not had the Born to Draw classes’ prior will start with the curriculum of the first session.

17544 Born to Draw: A Children’s Drawing Program (ages 7-11), Section A Tuition: $160.00 Saturday 10:00 am – 12:00 pm; 6 sessions starting January 26, 2013, ending March 2, 2013  Location: CE South Building   Instructor: Cimino    Materials Cost: $0.00  Available Discounts Available 11/26/2012 17544 Born to Draw: A Children’s Drawing Program (ages 7-11), Section B Tuition: $160.00 Saturday 10:00 am – 12:00 pm; 6 sessions starting March 23, 2013, ending April 27, 2013  Location: CE South Building   Instructor: Cimino    Materials Cost: $0.00  Available Discounts Available 3/23/2013

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Happy Holidays

Dec 19, 2012

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Happy Holidays From Elaine Cimino Studios!

Barbara Kruger Created the Billboards and Buses For the Best Ad Campaign in the City Right Now

Nov 14, 2012

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Great idea to promote arts and artists. This should be done in cities across the country hmmm! Anyone up to work on that project with me? By Alissa Walker Mon., Nov. 12 2012 at 1:15 Pm Categories: ArtBillboardsCityscapePublic Art Twitter user @bshigeta via Instagram

A Silver Lake billboard that recently hawked Avion tequila took on a very different tone last month. “SUPPORT PUBLIC EDUCATION OR FACE CATASTROPHE!” read the near-apocalyptic message in stark black type. On Santa Monica Boulevard, the wisdom of Robert Frost crept by in the same foot-tall, all-caps characters, wrapped around a Metro bus: “Education is the ability to listen to almost anything without losing your temper or your self-confidence.”

This campaign, which launched in October and has quickly become both the best-looking and most ubiquitous advertising on L.A.’s streets, is produced by art organization ForYourArt to benefit the Los Angeles Fund for Public Education (or LA Fund for short), a nonprofit co-founded by LAUSD superintendent John Deasy last year. And the artist is none other than the legendary Barbara Kruger, whose signature black, white and red graphics — like a public service announcement meets reassuring Mad Men-era advertising — reads spectacularly well in L.A.’s urban environment.

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Watercolors by Gerhard Richter

Sep 4, 2012

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I am posting the biography for Richter  that is on his website along with links, one of which is the link to the 250 abstract and portrait watercolors Richter has created.  It is my hope that my students view his works to see the great body of work that he has cultivated over his life. i am a fan of his work and only hope I have the opportunity to view his work once again.

His current exhibtion, “Seven Works” at the Portland Museum is closing Spetember 9th 2012.

An important group of paintings from the Gray Series by this post-World War II German artist, Richter positions painting as a formally reductive and sensuously rich experience through these groundbreaking works from the late 1960s to mid-1970s. — Curated by Bruce Guenther, The Robert and Mercedes Eichholz Curator of Modern and Contemporary Art.

“I blur things to make everything equally important and equally unimportant. I blur things so that they do not look artistic or craftsmanlike but technological, smooth and perfect. I blur things to make all the parts a closer fit. Perhaps I also blur out the excess of unimportant information.” Gerhard Richter

http://www.gerhard-richter.com/art/

http://www.gerhard-richter.com/art/watercolours/detail.php?13859

Richter in the 21st Century: Real and Tangible Accomplishments

“Well, after this century of grand proclamations and terrible illusions, I hope for an era in which real and tangible accomplishments, and not grand proclamations, are the only things that count.”1 → Read more

Universal Concern that Creativity is Suffering at Work and School

Aug 30, 2012

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The more research that I do I am finding that we are falling behind in our ability to be creative and support creativity at home, in schools and the workplace. Adobe released a study this past spring on how creativity is suffering. The results showed that Americans think their lack of time, money and tools are barriers to creativity. Rightly so, the American system is slowly grinding the gears of conceptual and critical thought to a halt by adopting an ideology that only looks at the productivity of test scores in the educational system. This has resulted in massive cuts to teachers jobs, and is disproportionately cutting History, Physical Education and both the Visual and Performing Arts.  The arts represents at least 37% of the entire population who are visual thinkers and problem solvers. This is why I am working on the Born to Draw Art Program because it is a way to bring drawing and the arts to children and adults, to get people to use their hands and minds once again.

See the www.borntodraw.com website  Let me know how we might be able to create a space where we can roll out the Born to Draw® art curriculum.

Universal Concern that Creativity is Suffering at Work and School

SAN JOSE, Calif. — April 23, 2012 — New research reveals a global creativity gap in five of the world’s largest economies, according to the Adobe® (Nasdaq:ADBE) State of Create global benchmark study. The research shows 8 in 10 people feel that unlocking creativity is critical to economic growth and nearly two-thirds of respondents feel creativity is valuable to society, yet a striking minority – only 1 in 4 people – believe they are living up to their own creative potential.

Interviews of 5,000 adults across the United States, United Kingdom, Germany, France and Japan expose surprising attitudes and beliefs about creativity, providing new insights into the role of creativity in business, education and society overall.

Workplace Creativity Gap The study reveals a workplace creativity gap, where 75% of respondents said they are under growing pressure to be productive rather than creative, despite the fact that they are increasingly expected to think creatively on the job. Across all of the countries surveyed, people said they spend only 25% of their time at work creating. Lack of time is seen as the biggest barrier to creativity (47% globally, 52% in United States).

Education Concerns More than half of those surveyed feel that creativity is being stifled by their education systems, and many believe creativity is taken for granted (52% globally, 70% in the United States).

“One of the myths of creativity is that very few people are really creative,” said Sir Ken Robinson, Ph.D., an internationally recognized leader in the development of education, creativity and innovation. “The truth is that everyone has great capacities but not everyone develops them. One of the problems is that too often our educational systems don’t enable students to develop their natural creative powers. Instead, they promote uniformity and standardization. The result is that we’re draining people of their creative possibilities and, as this study reveals, producing a workforce that’s conditioned to prioritize conformity over creativity.”

Creativity Rating: Japan Ranked Most Creative The study sheds light on different cultural attitudes toward creativity. Japan ranked highest in the global tally as the most creative country while, conversely, Japanese citizens largely do not see themselves as creative. Globally, Tokyo ranked as the most creative city – except among Japanese – with New York ranking second. Outside of Japan, national pride in each country is evident, with residents of the United Kingdom, Germany and France ranking their own countries and cities next in line after Japan.

The United States ranked globally as the second most creative nation among the countries surveyed, except in the eyes of Americans, who see themselves as the most creative. Yet Americans also expressed the greatest sense of urgency and concern that they are not living up to their creative potential (United States at 82%, vs. the lowest level of concern in Germany at 64%).

Generational and gender differences are marginal, reinforcing the idea that everyone has the potential to create. Women ranked only slightly higher than men when asked if they self-identified as creative and whether they were tapping their own creative potential.

Four in 10 people believe that they do not have the tools or access to tools to create. Creative tools are perceived as the biggest driver to increase creativity (65% globally, 76% in the United States), and technology is recognized for its ability to help individuals overcome creative limitations (58% globally, 60% in the United States) and provide inspiration (53% globally, 62% in the United States).

About the Adobe State of Create Study The study was produced by research firm StrategyOne and conducted as an online survey among a total of 5,000 adults, 18 years or older, 1,000 each in the United States, United Kingdom, Germany, France and Japan. Interviewing took place from March 30 to April 9. The data set for each country is nationally representative of the population of that country.

For more information on the research results visit Adobe State of Create Global Benchmark Study and Adobe State of Create Infographic.

http://www.seanse.no/default.aspx?menu=180&id=153

THE WORLD´S FIRST INTERNATIONAL TEACHING ARTIST CONFERENCE SEANSE ART CENTER is proud to present the first international conference to focus on TEACHING ARTISTRY.   We invite artists, arts educators, administrators and interested professionals from all over the world to join us for an unprecedented three days of inquiry into this worldwide phenomenon, this rich opportunity, this growing trend.  WITH: ERIC BOOTH (USA), ANNA CUTLER(UNITED KINGDOM), GIGI ANTONI (USA), GRACE GACHOCHA (TANZANIA),  AMANDINA LIHAMBA (TANZANIA), HILARY EASTON (USA),  SARAH JOHNSON (USA), JUAN FELIPE MOLANO (COLOMBIA), JUAN ANTONIO CUELLAR (COLOMBIA), MARIT MOLTU (NORWAY), ANNE BAMFORD (UNITED KINGDOM), BRAD HASEMAN (AUSTRALIA), JOHANNES JONER (NORWAY) AND MARIT ULVUND (NORWAY)   The conference will take place at: The House of Literature August 29 -31, 2012 Oslo, Norway → Read more

I would love to attend these classes. If you can afford it you should do it. – The Constant Learner- Elaine Cimino

http://www.gse.harvard.edu/ppe/programs/prek-12/portfolio/arts-and-passion-driven-learning.html

What You Will Learn

Deepen your understanding of how learning takes place in and through the arts. Examine the role of engagement, connections, collaborations and communities in learning.

Presented in collaboration with The Silk Road Project Inc.

What You Will Learn

Deepen your understanding of how learning takes place in and through the arts. Examine the role of engagement, connections, collaborations and communities in learning. → Read more

press release

June 19, 2012, 9:00 a.m. EDT

Ovation And Americans For The Arts Kick Off $110,000 Innovation Grant Program Online Application Process Now Open http://www.americansforthearts.org/get_involved/membership/innovation.asp

SANTA MONICA, Calif. and WASHINGTON, June 19, 2012 /PRNewswire via COMTEX/ — Continuing its quest to recognize the role artists play in revitalizing their communities, Ovation, the only network dedicated to art, artists and all forms of artistic storytelling, has partnered with Americans for the Arts, the nation’s leading organization for advancing the arts and arts education, and has opened the online application process for its new national grant program, innOVATION. The online submission site, available at http://www.americansforthearts.org/get_involved/membership/innovation.asp , will be accepting applications for the inaugural innOVATION Grant Program until 5p.m. ET on July 31, 2012. → Read more

Watercolor Classes for all levels of experience are being offered by Elaine Cimino at the Highland Senior Center, Albuquerque, NM

Costs: 8 lessons for $75.00 You will keep the supplies. Instructor will supply paper. Payment Methods: Cash, Check, SASE in center office or Paypal ecimino10(at)gmail(dot)com Total cost is $100.00. In case of a class cancellation due to illness there will be one makeup class given that is dependent on facility availability. This class builds on the other classes offered in this series. Where: Highland Senior Center Dates: July 7th to August 25th Times: Saturday Mornings 10am – until Noon Other: 8 week class to learn how to paint with watercolors. The classes will concentrate on painting still-life of fruit, vegetables, flowers and other still life objects. The goal of the class will be to build a portfolio of your images that will contribute to a book of poetry, greeting cards and/or a calendar.

July 7th Begins a new session Scan UR Code to Register For Classes or http://borntodraw.wufoo.com/forms/m7x3r3/ The drop down window has class offerings

Chakra #2 from the Chakra Series

Elaine Cimino Studios

Registration for Art Classes July through December 2012

at the Highland Senior Center

Please check a class and spark your creativity

o Learn Watercolor –July 7  – August 25th for 8 wks Cost: $75.00 o Pastel Workshop – September 22– October 27 for 6wks Cost: $65.00 o Drawing for the Holidays and Special Occasions- November 3 -December 15  for 6 wks Cost: $65.00

All Classes will be on Saturday mornings 10am – Noon

 

Method of payment

Cash, Check: Make payable to: Elaine Cimino Studios

Use SASE available at Senior Center Office

or use PayPal  http://www.paypal.com  for online payment

 

Instructions for PayPal, Go to PayPal website.

Click  “send money” Button You will send to my email address

Please contact Elaine Cimino through this website

Thanks you for your interest!